Tranformers: Revenge of the Fallen Movie Review

The Transformers brand had very humble beginnings as a toy line that inspired an 80’s classic cartoon whose primary focus was to sell toys. The glorious animated Transformers Movie upped the production values of the show tenfold and introduced some very grown up themes into the once children oriented show such as death and the pressure to live up to the one’s legendary predecessors.

If you were looking for some deep meaning or dramatic character development and plot lines from Transformers: Revenge of the Fallen, you’re barking up the wrong tree. The newest film in the Transformers live action franchise is a Michael Bay film to a degree that has not been seen in a millennia!! Well ok that might be overdoing it a little, but suffice it to say, Bay has created a movie that trumps any of his other films in terms of action, flags and T&A to date.

I went into this movie with expectations very low and a firm belief that I was going to come out hating what I was about to see. The result was quite the opposite however. I didn’t expect an Oscar contender and I didn’t get one. What I did get however was one of the most action-packed, over-the-top action movies based around giant transforming robots that I have ever seen. Now I know there aren’t a lot to choose from in that category, but credit given where credit is due, and Michael Bay has delivered the summer movie to end all summer movies.

Let me just say that while the Transformers seem a little too dependent on the American government in the movie, Optimus Prime himself seemed much more like the badass that I remembered from the television show. He even does the transforming leap into the air while firing at decepticons thing that he did in the original animated movie, an appreciated nod to the classic.

Ironically, the weakest aspect of the movie is the human one. The cast of characters, while having their moments and occasional chuckle worth one-liners fall completely flat for most of the movie, and they definitely are not helped by the script and story. While the basic premise seems ok in a sci-fi context (the evil fallen decepticon wants to blow up our sun to harvest its energy) there are far too many plot holes and inexplicable turns that lead the story into ludicrous territory. For example, Megatron is revived under in the ocean in one scene, and in the next scene, hes on freakin Jupiter, or robot heaven for lack of a better term (you’ll understand if you’ve seen it ;).

If I can make one major point clear for this review it is this: Transformers Revenge of the Fallen is a flawed film in many ways that could probably have been done much better had it been given more time to be polished and the script overhauled, but as an experience in itself, I walked out of the theater feeling that my expectations had been fulfilled. I saw more action and fight scenes that were better choreographed than the last film. Optimus grew a pair and manned up like I knew he could and all the while there was some humor sprinkled in between. TRotF is the epitome of a brainless summer popcorn blockbuster and as long as you go into it knowing this, you will enjoy it.

***One final note however that I feel I must add to this review was that the overtly racist depctions of the small twin autobot that had bad grammar, “don’t read too good”, stumble around un-commically and were just plain offensive, and I’m not even black! With their gold plated buck teeth (you read that correctly) and their Jar Jar-esque rage inducing antics, these characters earn my newly created award for Worst Animated Racial Stereotype in a movie. I dont even remember their names and hopefully I’ll never learn them.***

The Last Airbender Trailer

Hi folks.

You don’t know me, and I don’t know you. But we’ll get to know each other. Oh, will we ever get to know each other. But there’s time for that. In the meantime, here’s a little something that may help break the ice. I’ve recently gotten into Avatar. I know Amrit is also a huge Avatar fan. BEHOLD!!!! M. Night Shyamalan’s The Last Airbender Trailer!

By the way, you can call me Alderman. Cheers.

k-os, Kanada’s Kanye

If I were to judge a book by its cover or, in this case, a CD by its jacket, I’d say that singer/rapper/producer k-os is trying to make a statement. What that statement particularly is, I don’t know. Aesthetically, the case is an obvious throwback to his debut (and to many, best) album, Exit. k-os’ fourth album, Yes!, remembers Exit’s gradient greens on both the CD jacket and disc, but sports the contradicting colour red, and replacing the green, lit EXIT sign, is a playful red YES! sign in its stead. What this infers to me is that k-os is trying to remind us of his roots. But there’s something different here. k-os is no longer k-os.

Instead, he has become the bionic man. Deviating far from his originally organic and almost militia-quality style, Yes! seems to have quite the opposite effect, employing an American Army of digitizers and synthesizers. Song titles and subject matter are general k-os fair, from love to pacifism to music to well, “being different.” However, the message is muddled through try-hard rhymes and experimental rhythms and flows. Where Exit’s lyrics are an obvious fine wine, embodying nearly 30 years of growing, learning, and struggling, Yes! is like the quickly generated soda pop for those of the masses who enjoy proclaiming their disgust with mainstream media.

Don’t get me wrong, amidst my obvious criticisms, the album still has its ups. Songs like Burning Bridges, I Wish I Knew Natalie Portman, 4,3,2,1, and Eye Know Something are all catchy-chorus, single-material. But even the entire album does not hold a candle to any lone track on Exit.

Star Trek Movie Review

From top to bottom, this is not your older, nerdier brother’s Star Trek. This is Star Trek for the masses of people who may have never given it a chance in the past, and that includes people who thought that they were too cool to watch a Star Trek film, although with the growing appeal of nerd chic these days, that old and trusty axiom may be starting to disappear altogether.

JJ Abrams reboot (and it most definitely is a reboot) of the classic sci-fi series takes a savvy eye and a new perspective to the beloved source material and brings us an interpretation of Star Trek that is updated for today’s audience. Similar in ways to what Christopher Nolan did for the Batman franchise, Abrams takes us back to the early years of the Federation with an emphasis on down-to-earth realism with less space age magic machines and technical mumbo jumbo. The starships internal designs have an almost steamboat-like design with lots of metal piping and railings in the engineering sections and beaming technology is still in its infancy. The Enterprise itself looks stunning, like a retro Cadillac restored to its beautiful hayday, and the special effects are top notch as you would expect. The presentation in Star Trek has a shiny new coat of paint, but doesn’t seem flashy or over the top which in the hands of less talented directors could have been its downfall.

The movie itself is faced paced and sprinkled with genuinely funny humour, but the best part for me was the interaction between Spock and Kirk. Zachary Quinto steals the show with his portrayl of the conflicted Vulcan, giving us a glimpse of Spock as a young go getter bound by logic but still learning to deal with his human emotions, plus he gets kinda freaky naughty. I won’t explain that further, but you’ll know what I mean when you see it. Chris Pine (Kirk) and Quinto seems like polar opposites, and they are, but the dynamic that exists between them in this movie is exactly what I would have pictured as their early relationship: a rocky one, but one complimenting the other.

The only downside that I could find with Star Trek was the story itself. Time travel is usually a difficult and treacherous basis for any story as it provides the potential for plot holes and inconsistencies that may leave the audience shaking their heads a bit. I also thought that villain Nero was a little shallow even though the director went out of his way to give us his reasons for doing his dastardly deeds, he still felt like a one dimensional character. The new universe that Abrams creates is explained away as simply a different timeline or alternate reality, which I think would be a particularly nasty can of worms, but then again, it does seem to open the door for potentially great sequels. The only thing that disturbs me a little bit is the complete departure from cannon that this may take the series down.

Ultimately the good REALLY outweighs the bad with this movie, and I would say it is a contender for best blockbuster of the summer.

So thats what I thought of the movie. Let us know what you think below in the comments section.

Johnny Depp in the next Batman Movie?!?!

If you’re anything like us, you’re a big nerd. But more implicitly, you’re also into comic books, and the blockbusters (ugh, i hate that word.) that are released around them. And if you’re anything like us, you’re also constantly wondering about how a superhero film might live up to, or die falling from, your expectations. So when you see things like X-Men Origins: Wolverine, you know its not a Wolverine movie without Sabertooth, Likewise, the Batman is nothing without his Joker, and if Superman doesn’t weaken at the sight of Kryptonite, then the Avengers movie won’t have Captain America.

What I’m trying to say is, as nerds, we hold lore very close to our hearts.

I recently had this conversation with some coworkers about who might be the next villain/villainess in the next Batman movie. We debated the merits of various actors, and the roles for which they were best tailored. Philip Seymour Hoffman would play an intelligent and jaded Penguin. Johnny Depp would make a delightfully riotous Riddler. And, I’m just throwing this one out there, Cameron Diaz would make quite the Harley Quinn. So I’m posing this question to anyone with an inkling. Which villains would you expect to see i the next Batman movie, and who would play them?

Movie Review: The Wackness

I don’t come across a lot of films that make me feel anything and when I do, its usually just basic gut reactions to cool explosions and special effects blockbusters that I forget about minutes after leaving the theatre. There are some movies that will reside in your mind for more than a couple hours, that you want to re-watch just to try to get back the feeling that you had while you were watching it and The Wackness is a movie that does just that.

The movie stars Josh Peck (you may or may not recognize him from his starring role in the Disney show Drake and Josh) as Luke Shapiro, an adolescent drug dealer in New York during the mid 90’s. Peck’s character is a real departure from his slapstick comedy role on television but he does an admirable job in his first theatrical starring role portraying a sexually frustrated teen during his last summer as a high school graduate before moving on to college. Co-starring alongside Peck is Sir Ben Kingsley as Dr. Jeffrey Squires, a pot smoking mid life crisis suffering therapist who wants to re-live his teen years through Shapiro and his daughter Stephanie played by Olivia Thrilby who you might remember from Juno as Juno’s best friend.

The movie is littered with references from the period (fancy that I can call it a period and not sound like a tool) whether it be a Forest Gump poster on the side of a bus, or pages in a newspaper covered with O.J. Simpson’s mug or the constant references to Rudy Juliani’s crusade on drugs and the homeless. I can count the number of times I’ve been to New York on one hand so I have no idea what to expect from the city beyond what I’ve seen in movies, read in books and played in video games, but what I can say is that the city I saw in the movie seemed really dirty and pretty at the same time. The city doesn’t know what it is, has different sides to its personality kind of like the main character. I won’t belabour the point that the city seemed like it had a smell, a touch and a feel to it that came across well and that I thought was worth mentioning.

Shapiro and Squires are a couple of losers that find each other through their common interest in the smoking of marijauana and also through Shapiro’s unrequited feelings towards Stephanie, Squires’ daughter, who he goes to school with but who doesn’t know that he exists. Stephanie is part of the cool crowd (aka the rich crowd) and Shapiro is on one of the lower rungs on the high school social ladder. The experiences that the writer/director Jonathan Levine weaves into the character are both timeless and culture spanning, making you instantly identify with Shapiro and the problems that he has to deal with. There are a couple of story lines woven throughout the film such as Shapiro’s turbulent home life with his parents, or Squires’ emotional distancing from his wife, but the important one and the one that hits home the most is Shapiro and Stephanie’s summertime romance. Shapiro is the everyman that you can’t help but root for, and his love affair with the girl of his dreams is a dream most guys can relate to.

Possibly the most important part of the movie is the music. What you get in The Wackness is a snippet of a Hip Hop symphony, a slice of the greatness that existed for that particular time in musical history. Some of the best Hip Hop artists of the time were releasing their best music, and the soundtrack is sprinkled with gems like Notorious B.I.G’s What, Faith Evan’s You Used to Love me, Craig Mack’s Flava in Your Ear, Nas’s The World is Your, A Tribe Called Quest’s Can I Kick It? and the list goes on and on, mixing it up a little bit with some Mott the Hoople and some reggae by the Pioneers. The soundtrack was so slick that I actually BOUGHT IT. I’ve never bought a movie soundtrack before, but I couldn’t help it this time. The music of the Wackness is like another character in and of itself, drawing you into the world of the movie and back in time like a symponic time machine.

So if you’re looking for a diamond in the rough, and you were born in the 80’s, and grew up in the 90’s, check out The Wackness, then tell someone else about it, you’ll be glad you did.

p.s. If anyone has suggestions for any other diamonds in the rough, please leave a comment bellow so that we can all check it out. And if you got mad love for the soundtrack click dis link to find a full tack list yo! The movie also has a fly ass website. It’s da bomb.

Kings of Leon: Only by the Night

Picked up this album the other day and started listening to it while I was writing the Left 4 Dead Guide that you should see on the site in a couple days and thought I should say something about how great it is.

I only like to talk about how good an album is if the better majority of the songs are single worthy or are catchy to some degree or if the music has something imperceptible that brings you back to it and Only by the Night is one of those albums.

The singer Caleb Followill has a really interesting voice that sounds like it should be coming out of speakers on a big open air concert from the 60’s. While I don’t agree with their choices in hairstyles, their sound is like a southern folk band mixed with something that sounds good. Cut me some slack ok? I’m not a big music reviewer but what I think you should do is check out some of the tracks on the album and see if they float your boat.

Basically if you like a sound that is upbeat, somewhat bittersweet but not about longing or cutting yourself and that you can either rock out to or lay back and chill with, check out Kings of Leon, Only by the Night. You won’t be disappointed.

Check out their website

Tracks of note:

1. Sex on Fire
2. Closer
3. Crawl
4. Use Somebody
5. Notion
6. Manhattan